Underweysung der Messung is a pioneering work in
scientific illustration; this treaty contains over 150 woodcuts, including
outstanding examples of orthographic projection and several of
Dürers most intriguing designs.
It presents a wide range of geometric subjects, with the basics
of linear, plane, and solid geometry laying a foundation for applications in
architecture and art, including the construction of columns and the
rendering of Roman and Fraktur letterforms.
The Underweysung der Messung ends with the artists
famous analysis of lettering, the earliest attempt to describe typographic
design with vectors based on precise numeric values.
Though Dürer concentrates on the anlaysis of the Roman
capital letters, he does devote a few pages to the rendering and the analysis
of Fraktur letterforms.
Based on those pages, I digitalised the font presented here.
Albrecht Dürer, German painter, engraver and draftsman, is
one of the most celebrated artists of the Northern Renaissance.
Dürers reputation spread throughout Europe during his
lifetime, beyond his native city of Nuremberg, a thriving center of trade and
Like Leonardo da Vinci, Dürer became deeply involved in
scientific and mathematical studies; his application of scientific principles
to the creation of art marks the beginning of art theory in Northern Europe and
of scientific writing in Germany.
Dürers Fraktur Specimen (140
Use this elegant display font for Branding, Advertising and
Buy via Paypal
Buy Dürers Fraktur for 39 Euro.
You may pay online via Paypal , or you may make a Bank
Write a short email to pheitlinger(at)gmail(dot)com and please
tell him, how you want to pay.
I n the judegement of
well-informed scholars, Fraktur is considered a fusion of Textur and
Schwabacher letterforms. The characterisitcs of Textur are
evident in the minuscules of Fraktur.
Schwabacher is a black-letter form that was much used in early
German print typefaces. It continued to be used occasionally until the 20th
Digitalised copy, from the Sächsische Landesbibliothek.
Staats- und Universitatsbibliothek Dresden (SLUB):
The first Fraktur typeface was designed when Emperor Maximilian
I (14931519) established a series of books and had a new typeface created
specifically for this purpose, designed by Hieronymus Andreae.
Fraktur quickly overtook the earlier Schwabacher and Textur
typefaces in popularity, and a wide variety of Fraktur fonts were carved.
It became common in the German-speaking world and areas under
German influence (Scandinavia, the Baltic states, Central Europe).
Prasentation of Dürers Font (670 Kb)
Albert Kapr. Fraktur. Form und Geschichte der gebrochenen
Schriften. Hermann Schmidt, Mainz 1993.
Bain, Peter and Paul Shaw. Blackletter: Type and National
Identity. Princeton Architectural Press: 1998.
Silvia Hartmann: Fraktur oder Antiqua. Der Schriftstreit von
1881 bis 1941, Peter Lang, Frankfurt am Main u. a. 1998 (2. üb. A.